It is difficult to imagine how delicate hearing, understanding, work, live perception must have a conductor.This master, catching on the fly every note, subtle nuance, knowing the flaws, follow the subtle dissonances and disruptions in the body, called the orchestra.If a tool is needed for an individual player, the orchestra needs a conductor, because human whole orchestra is the very instrument that you can play wonderful melodies.

Conductors - where they



interesting to note that the final conductor's art took shape only in the nineteenth century.However, in the early reliefs Assyrian and Egyptian civilizations were images where a man with a kind of rod, managed by a group of people playing musical instruments.Something similar happened in ancient Greece, where a special person via hand gestures drove the pe
rformance of music. closest relative baton - a violin bow, as it is they often set the pace, or concertmaster of the first violin.

should be noted that in the early stages of development of orchestral performance, it was not as difficult as it is now.And the conductor was not always necessary.Part of the further development and increasing complexity of natural works of art and grounded conductor, as well as the need for it.

19th century - conductors of our time



further complication of symphonic music, the increase in the number of instruments in the orchestra demanded that all these led special person - a conductor.He was holding a special wand in the form of a tube made of leather or a rolled-up note.The familiar wooden stick appeared only in the early nineteenth century.Her first used Viennese conductor Ignaz von Mosel. Interestingly, initially for decency ruled Orchestra conductor, facing the audience.

The practice was common tradition of artists that the composers themselves often performed their works.They toured with his own orchestra and played music as a permanent residence.The composer in this case acted as a conductor.

Relevance conductor



Middle orchestra consists of two or three dozen artists, and if you take more, it is possible to operate with a figure of around a hundred.Despite the fact that each has its own score, a person may have an opinion as to how to play: quietly, louder, faster, slower.As you know, how many people - so many opinions.Imagine a crowd of people, and each - with their own understanding of the work.The end product of such a disruption would be at least a cacophony.

here and you want to head.Anyone who says where to play a little quieter, where to make an expressive accent, how to take a break.The complex science of management allows the orchestra to give instructions exactly as the individual musicians and the whole group.Just because a work of genius finds completeness, integrity and lives for centuries.