All of syncope

syncopation called rhythmic figure that disrupts the normal flow meters, shifting the emphasis from the strong to the weak share of time, resulting in a real emphasis does not coincide with the metric.In the study of syncopation it is important to understand, which means strong and weak while the proportion of stroke - each share, regardless of its strength, has strong and weak time at which it starts.

Each share begins with a period of time, which accounts for a click of the metronome or imagined - and this time is strong, while the rest of the time the share is considered weak.

first syncope has been described in the treatises of the second half of the fifteenth century, a kind of John Tinktorisom.She menti
ons in his books about the art of counterpoint, musical terms, alteration and musical proportions.He wrote about the syncope and Gilelmo monk, describing it as a cooked detention because scientists musicians do not use the concept of strong and weak shares.Today syncope is an indispensable element that gives the rhythm of music styles such as the reggae, jazz, blues, soul, drum & bass, funk and some rock music.In addition, it is often used in derived styles.

Types syncopation

There are two kinds of syncopation - mezhdutaktovy and vnutritaktovy.Mezhdutaktovoy syncope referred to the note that sounds in one cycle, and continues to play in the next, that is, the weak sounds of a meter, and at the next downbeat.Vnutritaktovaya syncopation, in turn, is divided into vnutridolevuyu and interlobar.Vnutridolevaya syncope is formed when small durations in shares in the cases where the first note coincides with a strong time and is shorter than the other notes of a certain percentage.

syncope may also occur if the proportion of weak concrete volume accentuated notes, which falls on strong while a weak share.

interlobar vnutritaktovaya syncope is formed with longer duration of the sound, which begins on the weak share (compared with the previous downbeat).In addition, the interlobar note syncopation with prolonged preservation of the sound of a weak time indefinite metric share of time followed by a strong share.With the emphasis on the weak share is often marked shift of rhythmic support with a strong share of the weak beat, which extends over several cycles.